At a first look, they may seem like standard handles, as we’ve seen in other rigs, but they hide a couple of interesting details. Could it be any easier? Reference ID: #538fa6e0-2083-11eb-ba5a-dd8d1caf1a20, If you think you were blocked by mistake, contact the site website administrator at info@adorama.com. You could use the Tilta Nucleus for follow focus but you would need a focus puller on set. There is no perfect solution due to the BMPCC 4K and 6K's awkward body shape. Namely it's bulky, heavy as hell and takes a large amount of time to balance initially (you'll get faster with time and consistent use). I prefer a larger sensort, 4.6K and EF. The camera has a big 5" touchscreen monitor on the back, but video can be monitored externally via the full size HDMI port. We can see Armando going from having a small LED light to a microphone in just mere seconds. Dual ISO Sensitivity. Press question mark to learn the rest of the keyboard shortcuts. Press J to jump to the feed. BMPCC 6K body is made from lightweight carbon fiber polycarbonate composite. The 120fps on my XT-3 is leagues better. « Hello world!Hello world! Mostly because of the high quality video codecs, great dynamic range, dual ISO, and overall great selection of resolutions and framerates. If it’s one thing I’ve learned, in 2019, most people want to hang a ton of crap off of their small cameras, Frankenrigs are very in style, minimalism is out. No.

Record using the internal CFast 2.0 and SD/UHS-II card slots or output via the USB-C port to capture longer clips to an external drive.

Finally the 6k is a huge plus; not only for refraiming but also in view of a supersampled 4k picture from a 6k, just like the Alexa’s is derived from 2.8k res. One costs $6k, the other $2.5k – and aside from full RAW video, unlike Canon’s RAWlite, offers a plethora of ProRes options; a real professional codec, again unlike Canon’s low bitrate 8bit avc. God I hate that phrase. After plugging in an external timecode generator such as Tentacle Sync into the 3.5 mm audio jack, the camera will automatically detect timecode and lock the internal generator.

I don’t care.

Most pros light things, problem solved. Off-speed frame rates up to 60 fps in 4K DCI, 120 fps in 2.6K 16:9 and HD windowed. With Lensrentals Keeper, buy the gear you rented, including a credit towards the purchase price for a portion of your rental fees. I think the target audience here are wannabe and real filmmakers, I don’t see this camera as a Vlogging, pocket camera at all.

BlackMagic do have touchscreen focus and will usually nail it in good contrast situations. I understand that “pocket” is just phrase. Focus This may happen as a result of the following: Please make sure that Javascript and cookies are enabled on your browser and that you are not blocking them from loading. The Blackmagic Pocket Cinema Camera 6K is a new handheld digital film camera with a full Super 35 size 6K HDR image sensor, 13 stops of dynamic range, an EF lens mount and dual native ISO up to 25,600 for incredible low light performance. It’s just a name. Better construction and weather sealing. If they can ship these in quantity and the dual ISO/Higher than 800 ISO doesn’t suck, I think they have a huge winner here. From the rear block, we also have a cable … Use of professional microphones will require a Blackmagic 19.5-Inch Mini XLR to XLR Female Cable, which is not included with the rental. Who cares? If you have ACs, go sick. Comes with a follow focus motor so it's perfect. Hd. Well, this is a nice trick up Armando’s sleeve. Sync multiple cameras for a concert, event, or other multicamera shoots by linking an external timecode generator to the BMPCC 6K's internal timecode generator (accessed via the 3.5mm audio port). Oh BMD. This camera defaults to a windowed sensor mode when shooting in any mode other than 6K, scaled UHD, & scaled HD. Don’t let the intro of the video throw you off. First and foremost, BMPCC 6K features a larger Super 35 sensor with a resolution of 6144 x 3456 (16:9 ratio).

I don’t care.

In between the two, stands a handy little accessory from Wooden Camera called the Converter Box. Although I would prefer no crop, I would rather swap to a wider lens than deal with the low-bitrate 8-bit codec which is your only option for >60fps on the C200 (unfortunately, you cannot shoot CRM above 60fps). Now, Armando Ferreira will lead us in a tour around his setup, a simple and effective all-around rig good for all the occasions. I have 2 Pocket Cinema cameras that I have been using in a lot of various applications. It also comes with a Super 35 HDR image sensor which allows this Blackmagic Pocket Cinema Camera to record 6K video at up to 50 fps or 6K (2.4:1) video at 60 fps. It’s clear that the main focus here was modularity. Haven't even attempted to get the follow focus that came with the Moza on there. Our most common rental periods are shown below: Return shipping is included in the shipping price, and we include a prepaid return label with your order - all you need to do is bring it to an appropriate drop-off location when your rental is complete. Since then it got fairly popular among filmmakers. Doesn’t it have a quick release to make the balancing a one-time ordeal?

The EF mount surely means less flexibility in lens selection, no chance of achieving the ‘full-frame look’ with a speedbooster and a higher price tag with the only benefit being 6k? For the other news, please check our second article. This rig, as all rigs do, begins with a base plate. Nice upgrade, finally S35, I just wished they’d come up with a smaller ursa mini, something similar to an Fs5 in size. Besides shooting selfie style video, you only VERY occasionally need to have a screen that flips up or down, right? Cookies help us deliver our Services. Don’t get me wrong all my lenses are EF mount but wouldn’t be a better choice the canon RF mount that would give the oportunlty to use the Canon Drop-In Filter Mount Adapter EF-EOS R with Variable ND Filter that would give the camera the use as if would have internal nd filter.

It’s not the weight that makes using the camera on a gimbal a little more difficult, it’s the width. I’m looking forward to Sigma’s fp. Sure, it would be nice. Deux trous de positionnement 3/8 pour ARRI standard situés en haut et à gauche permettent de connecter la poignée SMALLRIG 2165 et le bras magique 2115. But it looks good, and the crane can handle a lot of weight! Yes, technically more versatile with speed boosters but eventually it will dawn on M43 users that small imagers are rapidly dying and will fade out so from a business standpoint, how many GH5 users are going to switch to this camera? Amazing AF, internal ND, 120fps without a crop, proper audio connections. In addition to the DaVinci Resolve Studio activation key, the BMPCC 6K comes with a power supply offering simultaneous battery charging, an LP-E6 battery, a lens port cap, and a camera strap. It’s a side mounting plate since there is no space left to slide in the body from the back due to the presence of the battery and converter box. By contrast, the Pocket 4K lets you shoot 12-bit Blackmagic Raw in the 120fps mode, which has substantially more detail and less artifacting than the C200’s 120fps. For my use though, the pocket factor was important. VLoggers. What do you think about the new Blackmagic Pocket Cinema Camera 6K? Store #0906712 Elec. The new BMPCC 6K is also compatible with the Blackmagic Pocket Battery Grip. Not responsible for typographical or illustrative errors.

From the rear block, we also have a cable (again, made by Kondor Blue) that feeds power to the camera through the 12V input port, so that the internal battery charges whenever the Pocket 6K is mounted on the rig. If you're using smaller lenses then I'd go Ronin-S. Powered by PerimeterX , Inc. Javascript is disabled or blocked by an extension (ad blockers for example).

2688 x 1512 (2.6K 16:9) up to 120 fps 1920 x 1080 (HD) up to 120 fps. Buy the camera, use all of your monitors bits and bobs you have laying around and you are easily in business for under $3k with some AMAZING capability. I've struggled getting the Moza Air 2 to balance a P6K and Sigma 18-35. 【INTERFACE POLYVALENTE】La cage est dotée de plusieurs trous filetés 1/4 et 3/8. Blackmagic Design also thinks on their customers who are currently waiting for their ordered BMPCC 4K. I’m sort of wondering if the added weight from the 6k and it’s heavier lenses will be a problem. The camera works with industry standard 17 and 33 point 3D LUT files, or users can work with the built-in LUTs such as Extended Video, Film to Video, Film to Rec.2020 and more. As to 6K, I care.

Not the end of the world. Always native mount is better but the RF mount would have made life easier working with ultra-wide angle lens without front threaded mount. Not their target audience. It makes more sense to get the BMPCC 4k for the price. If you don’t, you look like a dork, messing with your rails and matte boxes and giant filters, cursing under your breathe as you endlessly adjust position of the whole mess with each lens change. Today Blackmagic announces the new Pocket 6K. I don’t think BMD have ever done IBIS or decent AF. Albeit its more critical component, a camera is more than its sensor. I wouldn’t mind it, but it’s not that big of a factor. Create a B&H Account, America's Best Customer Service List-Newsweek, Prices, specifications, and images are subject to change without notice. Same like framing. Anyone using these or anything else? I think the excuses ran out about 4-5 years ago. Just like the BMPCC 4K, it has the large 5 inch touchscreen LCD in the back to help with precise manual focus at high resolutions. I use the Crane Lab 3, and it works pretty well. Personally, I don’t believe that it’s worth the extra $1100. My C200 has them and my XT-3 and 80D don’t. This article only covers the new BMPCC 6K camera. Battery life is fine with 60 minutes aka 45 minutes. Pros are going to hook up a monitor, forget the pocket thing, the core audience doesn’t want to put this in their pocket, they want to rig it into a 20lb behemoth that punches well above it’s weight. It's superb. The same internal color processing makes it easy to intercut BMPCC 6K with BMPCC 4K footage. Frame Rates. Not sure what makes the pocket 6K more capable? It should mean more basic. High Battery and Media Demands. Updated 6K, S35 Sensor. The email address you entered was an invalid email. However, I actually prefer the 120fps crop of the Pocket 4K to the 120fps non-crop of the C200. Once everything is mounted the camera and the lens will even out the weight difference, keeping the shoulder as a pivot point. Crane 2 already has a roomy arm, any camera large enough will sit on it comfortably compared to other gimbals, Budget-wise it might be the most feasible investment, You can slap on an extension handle like so, ending up looking similar to Crane 3, which allows better handling with heavy rigged cameras. But us documentary people, we can’t always light more than interviews, sometimes we can but a lot of the time we can’t so it matters for some pros. The quick-release is a lifesaver in many situations, especially if you are an event shooter, a wedding shooter or just in any kind of set where speed is the key. Once you actually get the camera balanced perfectly (before switching unit on), Crane is definitely strong enough to move it and keep balanced with no issues.



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